02 Dec 2016

Session 1 Lecture publique suivie de projection de films

Les Épargnés:

Les textes présentés par Carine Doumit sont les images potentielles d’un essai filmique. Le présent objet est inachevé, sans doute irréalisable et à tendance littéraire. Son inachèvement révèle ses possibles.

1958:

En 1958, une femme donne naissance à son premier enfant au Sénégal, terre d’émigration, au même moment le Liban, pays originaire, plonge dans un grave conflit interne, préambule de la future guerre civile.

Posthume:

Réalisé quelques temps après l’agression Israélienne de l’été 2006, (Posthume) est un essai doublement hanté par l’absence présente de toute fiction et l’omniprésence du réel.

About Carine Doumit: 

Carine DOUMIT is a film editor based in Beirut. She teaches cinema in SaintJoseph University (IESAV) since 2007 and is a writing consultant on students’ graduate films. She has edited various feature creative documentaries among which: Kingdom of Women (Dahna Abou Rahme); All about my father (Zeina Sfeir); Araq (Diala Kashmar); Haunted (Liwaa Yazji); This little father obsession (Selim Mourad). She has also edited various experimental videos among which: Olga’s Notes (Marwa Arsanios); This lightness I have lost it (Haig Aivazian); Now: End of Season (Ayman Nahle). She has worked as an editing consultant on feature creative documentaries among which: Geographies (Chaghig Arzoumanian); Room for a man (Anthony Chidiac). Doumit is an editing mentor in workshops for young filmmakers. She published her first book The Spared Ones in 2015.

About Ghassan Salhab :

Born in Dakar, Senegal. In addition to making his own films and video works, Ghassan Salhab collaborates on various scripts, and teaches film in Lebanon. He has directed six feature films: Beyrouth Fantôme (1998); Terra Incognita (2002); The Last Man (2006); 1958 (2009); The Mountain (2011) and The Valley (2014)… All films have been selected in various international film festivals such as La Rochelle International Film Festival and Journées Cinématographiques de Carthage made a tribute to his film. Salhab was published in various magazines and a book, “fragments du Livre du naufrage” (Amers Editions) in 2012

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